I'm about to go to the studio for a day of glazing. Glaze combinations! Decisions, decisions. Always a gloss glaze for the inside (practical) black, clear or celedon? As for the outside, a satin matt or gloss; black, white or celedon? I think I'll leave shino and iron oxide brush work for another firing. Must re fire a few of the pieces from this firing with some red enamel brush work for Craft Victoria's Christmas stock. That should be fun. A new direction maybe. Enamels.
I always try to limit the amount of variations. The last few months have seen another explosion of new glaze and brushwork. I suppose as always, the next few months will weed out the good from the not so good.